The Nigger of the Narcissus, by Joseph Conrad
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The Nigger of the Narcissus, by Joseph Conrad
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Teodor Józef Konrad Korzeniowski (1857-1924), better known by the pen name Joseph Conrad, was a Polish-born novelist who spent most of his adult life in Britain. He is regarded as one of the greatest English novelists, which is even more notable because he did not learn to speak English well until he was in his 20s. He is recognized as a master prose stylist. Some of his works have a strain of romanticism, but more importantly he is recognized as an important forerunner of modernist literature. His narrative style and antiheroic characters have influenced many writers, including Ernest Hemingway, D. H. Lawrence and Graham Greene. Writing during the apogee of the British Empire, Conrad drew upon his experiences in the British Merchant Navy to create novels and short stories that reflected aspects of a world-wide empire while also plumbing the depths of the human soul. Amongst his best known works are Heart of Darkness (1899), Lord Jim (1900), Under Western Eyes (1911), Victory (1915) and The Rescue (1920).
The Nigger of the Narcissus, by Joseph Conrad- Published on: 2015-06-07
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .30" w x 5.83" l, .38 pounds
- Binding: Paperback
- 126 pages
Review "This edition is particularly good for students at the introductory level because of the chronology and helpful introduction." --Mary Morzinski, Berry College
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From the Back Cover Joseph Conrad's account of the voyage of a sailing-ship from Bombay harbour to the Port of London combines uniquely the skills of the master mariner with the power of the master novelist. It evokes in intense and exact detail what it felt like to negotiate the great wind belts of two oceans. But is is also Conrad's first major exploration of the psychology of service-of the pressure on a group of seamen 'brought to the test...of the moral problems of conduct' by their encounter with elemental nature and with the secret terrors and evasions of two of their comrades.
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42 of 44 people found the following review helpful. Conrad's first masterpiece By Doug Anderson I read this in one sitting on a very dark skied rainy afternoon in an attic which looked like the interior of a ship and I was riveted by it, truly amazed by this tale which was at least in part based in fact. Conrad had written a couple of minor novels and some stories before this but this was his first masterpiece and remains his best tale of the sea, though he wrote other good ones none of them approach the power of this one. There is not only a great telling of a perilous holding-on-by-the-skin-of- your-teeth tale of a ship in peril but also a figure on board whose presence has an unsettling effect upon the men. While the ship sails on calm waters the crew and captain all appear to us as individuals only united by the fact that they all walk on the same decks, they are seen as unique presences and they all have their own reaction to the strangers "condition" which is an apparent illness. As the storm approaches and the ship and crew begins its stunningly told fight for life the individuals all merge as it were into one entity sharing the common task of sailors versus the sea. As the men try to save the ship the strangers presence is forgotten and the captain himself is mysteriously quiet as the men simply do what they must to survive the storm. Once the ship is no longer in peril the uneasy balance of personalities resumes and once again the stranger is suspect. Fascinating and exciting story. Elements of both mystery and high adventure combining here to give one not only a wildly enjoyable read but one which leaves ones mind opened in some way. Heart of Darkness and Lord Jim were Conrads next efforts, but don't miss this one. The prologue to this has Conrad setting down his artistic credo but read it only after the tale is told. That way your mind can absorb in its own way this excitingly told tale.
15 of 16 people found the following review helpful. A powerful and evocative tale that reaches far and deep. By John Pincus This a powerful and dramatically written sea story of shipmates under trial both from the sea and from eachother. But the sea is only its point of departure. Behind the surface there abides the universe of human struggle, sacrifice, betrayal and death. In the final lines, Conrad says so: "A gone shipmate, like any other man, is gone forever." Then the story ends with a farewell image of the crew tossing aloft in the night, battling with the sails in the teeth of a westerly gale -- a fitting description of struggle and victory at sea and a metaphor for the struggles of life. This is a remarkable work, which is prefaced by an author's note setting forth Conrad's artistic mission as he saw it.
14 of 15 people found the following review helpful. The sea of another time By Shirley A. Phillips Joseph Conrad provides a memory from life of the sea in the waning days of square-rigged ships. How far that age is gone is illustrated by the rebuilt Constitution. When she was gotten out in recent years after her reconstruction she really wasn't put under full sail--you couldn't assemble a crew to do so in the USA.Conrad suggests he was among the crew but at other times assumes the stance of an omniscient observer (as when he reports that conversation between Donkin and Jim Wait in the closed deck house). Yet he does this in other novels and I can live with it for the reward of his evocation of the sea--at least I think it's a realistic evocation of the sea, I who have voyaged only in air conditioned cruise ships and a small inland sail boat.More important than Conrad's nautical narration is his penetration into the psyche of nearly everyone on board. The first customer reviewer was wrong to say that "the loathsome Donkin" stands for the crew and to align the novel with political literature. A great humanistic work cannot be demeaned to the status of a political analysis, at least this one can't.The last pages of the novel are as melancholy a picture of the vanished men of a dead age as I can imagine. They have undergone three fates (except for Donkin, who of course succeeds): death at sea, death by land, and transfer to a steam vessel, the latter equated with a sort of death.Even the material remnants of that age are fragmentary and unsatisfactory, a few ships in dock as museum specimens and the great East India docks transformed to the trendy "Docklands" development.
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