Re-Viewing Anais, by Rochelle Lynn Holt
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Re-Viewing Anais, by Rochelle Lynn Holt
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"Re-Viewing Anais" (published through Scars Publications) is a semi-academic collection of forty-nine essays/reviews that have been published individually in varied periodicals from the Sixties to the present time. They represent virtually every one of Anais Nins publications in her lifetime and posthumously. Rochelle Lynn Holt (rochellelynnholt.com) was a member of the Anais Nin Circle in the late Sixties until and beyond Anais' passing in the early Seventies. Her two critical books on the author were published by Scars Publications in Chicago, Illinois in the Nineties. Rochelle operated one of the early hand presses in the Seventies in the South, taught for over twenty years in several states and has had her own writing published in varied genres by small presses since l970. She earned her MFA from Writers Workshop at U of Iowa and Ph.D. in Eng/Psych from Columbia Pacific U a score of years later.
Re-Viewing Anais, by Rochelle Lynn Holt- Amazon Sales Rank: #8712964 in Books
- Published on: 2015-06-17
- Original language: English
- Dimensions: 9.00" h x .36" w x 6.00" l,
- Binding: Paperback
- 156 pages
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0 of 0 people found the following review helpful. Re-Viewing Anais By Barbara Kraft When Anais Nin’s first diary was published in 1966 Elisabeth Stevens, Washington Post, wrote “Transcending mere self-revelation, offering far more than a record…the diary examines human personality with a depth and understanding seldom surpassed since Proust….”In her slim but prodigious book Re-Viewing Anais Nin, Rochelle Holt covers much ground including her personal relationship with Nin and contributes greatly to the Nin legacy. Her discussion of Nin’s many fiction books and their titles reveal the originality and uniqueness of Nin: Under a Glass Bell, The Four-Chambered Heart, Winter of Artifice, Ladders to Fire, Children of the Albatross, A Prisoner in the House of Love, Seduction of the Minotaur and Colleges. But the really story lies in the celebrated diaries of Anais Nin. As Los Angeles Times literary critic Robert Kirsch wrote in 1966 following the publication of Diary I, it was “one of the most remarkable diaries in the histories of letters…” Holt reminds the reader of Re-Viewing that Nin used psychoanalysis as a technique for the discovery of the hidden self, believing that the external story was ‘unreal.’ What mattered was the inner story of the self. Holt writes “…what (Nin) did with analysis was to use, transform, and finally reject all but the poetry.” She quotes Yeats, writing that Nin would most likely have agreed with Yeats famous line “How can you tell the dancer from the dance?’
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