The Hiding Place: A Novel, by Trezza Azzopardi
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The Hiding Place: A Novel, by Trezza Azzopardi
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This exceptional debut novel about family, love, and the innocence and terror of childhood has caused an absolute sensation, garnering no less than eleven leading publishers around the world.
Set in a Maltese immigrant community in Cardiff, Wales, and peopled with sharp-edged, luminously drawn characters, The Hiding Place is the story of Frankie Gauci, his wife Mary, and their six daughters and about Frankie's betrayal, gambling away his family's livelihood and eventually the family itself.
Written in magical language buoyed by grace, it is a mesmerizing exploration of how family, like fire, can shift suddenly from something that provides light and warmth to a dangerous conflagration, sparing no one in its path. The Gaucis' story is seen through the eyes of Dolores, the youngest daughter and, in her father's estimation, the embodiment of bad luck, condemned to bear the mark of a family that is rapidly singeing at the edges. With a lyricism that belies the horrors she so often recounts ("children burnt and children bartered: Someone must be to blame"), Dolores presents an unsparing portrayal of the fear and hopelessness of childhood amid grim poverty and neglect, of children growing up without safety nets and on sunken foundations.
The Hiding Place conjures the coarse sensuality of life among the docks, the smoky cafes and bars, the crumbling homes, and gambling rooms of Tiger Bay. Sustained by a tightrope tension and combining the stark, youthful wisdom and the uncanny, perfect pitch of Susan Minot's Monkeys with the redemptive liveliness of the downtrodden in Angela's Ashes, The Hiding Place is a breathtaking, radiant debut.
The Hiding Place: A Novel, by Trezza Azzopardi- Amazon Sales Rank: #7742392 in Books
- Brand: Audible Studios on Brilliance Audio
- Published on: 2015-10-13
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 10 Hours
- Binding: MP3 CD
From Publishers Weekly Frank McCourt and Mary Karr may have written definitive accounts of grim childhoods, but British first novelist Azzopardi can stand on her own as a writer of remarkable sensibility and literary prowess. A seedy dockside community in 1960s Wales is the apt setting for this memoir-like narrative. Physical and emotional abuse haunts every detail in Azzopardi's account of a poor Maltese immigrant family's misery. Dolores, the youngest of the six Gauci daughters, narrates the story of her father Frankie's arrival in Tiger Bay, Wales, his marriage to young waitress Mary Jessop, the birth of their children and the family's eventual disintegration as a result of Frankie's gambling and jealousy. In Part One, Dolores's five-year-old narration is emotionless as she relates the awful events that shape their lives. Hers is the perfect voice to unearth the family's confusing and shady secrets; because the child doesn't quite understand the emotional impact of situations, she questions and observes with detachment. On the day Dolores is born, Frankie gambles away their house and caf . When she is just a month old, Dolores loses her left hand in a fire. Frankie's jealousy and gambling debts lead him to sell one of his daughters, Marina, to gangster Joe Medora, the man he believes is her father. Azzopardi chills the blood with gruesome details as Frankie skins Dolores's pet rabbit for older sister Celesta's wedding dinner. Eventually, Frankie abandons the family to join Medora, and Mary, losing her grip on reality, also loses the remaining children to public care. Dolores's stoic perspective continues into adulthood, as, in Part Two, the sisters return to Tiger Bay for Mary's funeral. Although the narrative line can confuse as the story shifts from present to past, readers will be riveted by this brilliant psychological prose poem of a family united only in helplessness and despair, in a poverty-stricken corner of the world rarely evoked in fiction. (Jan.) Copyright 2000 Reed Business Information, Inc.
From Library Journal Growing up battered in the Maltese immigrant community of Cardiff, Wales, Azzopardi's home town. This debut is a sensation, having been sold to 11 publishers worldwide. Copyright 2000 Reed Business Information, Inc.
From Booklist In Cardiff, Wales, in the 1960s, a young girl comes of age as her family and their luck disintegrate. Dolores is the last born in a family of five girls. Her father, Frankie, is part owner of a cafe, but he is a gambler who bets his share of the cafe and the family home in one evening's card game. The novel moves back and forth in time, at one point to before Dolores' birth to describe how her mother and father meet and try to mesh their hopes into reality. As their early luck slides downward, the mother, Mary, goes mentally downhill as well. Meanwhile, Frankie looks to his daughters to change his life by "giving" one daughter away to a wealthy mafioso and pushing another into marriage with a much older, also wealthy, widower. Given the family background, there may be some comparison to Frank McCourt's memoir, Angela's Ashes (1996), but Azzopardi's debut novel stands on its own as a testament to learning to survive childhood when parents are not up to the job and you're among the down-and-out. --Marlene Chamberlain Marlene ChamberlainCopyright © American Library Association. All rights reserved
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Most helpful customer reviews
27 of 29 people found the following review helpful. A Feast for the Senses By J. Brian Taylor I was reminded of the memorable opening of Faulkner's story "Barn Burning," in which the little boy protagonist is present while his father is accused of malicious arson; the first sentence: "The store in which the Justice of the Peace's court was sitting smelled of cheese." The narrative point of view is that of a na?ve witness; one might say na?ve voyeur. Adult crime, adult atrocity, is filtered through the five senses of a hungry child. The child, even though abused (and because abused), cannot pass judgment on his own dysfunctional kin. Azzopardi's story bears comparison with Faulkner's not only because they share a limiting point of view, but also because both record in intense detail the sensory world of their protagonist. This technique is not new; it's Huckleberry Finn's point of view. But Azzopardi, to my mind, excels Faulkner by avoiding his departures into highfalutin editorializing but also by accepting the rigors of the present tense, which has both the artistic limitations and the immediacy of film - if film could also capture the sound of a rabbit being gutted, the acrid smell beneath the perfume, the watery taste of blackberries, the texture of mud and concrete and old linoleum. One might be reminded of Robbe-Grillet's "Jealousy," an experiment in objectively descriptive fiction; but while Robbe-Grillet's attention to detail seems obsessive, even solipsistic, Azzopardi's story is set in a world whose characters are as richly diverse as any in Dickens and as psychologically complex as any in modern fiction. They are frightening. They are lovable. Yes, readers will be deeply moved by the humanity of the tale - its horror and its humor - but it is Azzopardi's language, her handling of the emotionally-charged image, her ability to capture a place, a time, a person in a totally original turn of phrase that suggests that this first novel is a remarkable accomplishment. Even though hard to put down, "The Hiding Place" is not an "easy read"; but it invites comparison with the works of major novelists. One reader wondered if this would be a "one-off" success; we hope it won't be. The challenge to Trezza Azzopardi must be daunting. But very encouraging. For lovers of both literature and life, "The Hiding Place" is compulsory reading.
13 of 13 people found the following review helpful. (4.5) "Third degree damage" By Luan Gaines "My father's love is chance." Frank Gauci is a gambler of Sicilian-Maltese descent who has lost his half of a business and the decent home his family occupied. Now the family of two adults and six daughters live in a few crowded rooms in Cardiff, Wales, while Frank thoughtlessly loses the few possessions left and his wife, Mary, cope with what is left of her dreams. It is hard to imagine a more destitute world than that of the Gauci family.This is the story of poverty, of the loss of family and the respect of strangers, when the weight of an indifferent world presses against hope until it is extinguished, leaving only despair in its wake. Yet, even in this hollow den of few comforts, a mother's love for her children is indestructible. Delores is born in 1960, another disappointment to Frank, who wishes for boys, only to be denied. When the new baby is burned in a kitchen fire, her left hand permanently disfigured, the family is driven deeper into a black despair. Delores senses the rampant emotions in her house, particularly the anger: "I am breast fed: I get rage straight from the source".The few small rooms of their home are filled with growing bodies, with no hiding place. Tragedy strikes randomly, leaving all without privacy, sorting emotions that fly through the rooms with nowhere to land as the clamor of need presses the air from the dismal rooms. Four girls who sleep in one room with their mother know everything about each other, form alliances against the weaker ones, especially "the crip", and yearn for space. But even this desperate place is a home, where children form attachments and memories. A raging, cruel father is still a father, a mother meant to be a source of comfort, even as her mind is unraveling.Eventually, the mother breaks down and the girls are given into foster care, the young girls who crowded the small rooms scattered to the winds, disentangling from sisterhood. Their poor, rattled mother cannot save her daughters from the daily violence that weaves the fabric of their lives. Delores is marked for failure, the badly deformed left hand ruined by the fire; Fran's scars are self-inflicted, a continuation of the beatings that marked her childhood, a self-tattoo etched on the inside of her arm; Celesta rises above the past, her husband's wealth a key to forgetfulness; Luca and Rose are embittered allies with shared disappointments and Marina has long disappeared."Children burnt and children bartered. Someone must be to blame." Finally, the girls gather at the death of their mother, Dol in the lead, as they dredge up the pain of years of betrayal, exposing the withered heart of a selfish father and the desperate soul of a mother who could not protect her children. The past must be purged of secrets, harrowing images, lost childhoods, broken promises and heartless reality.This book is ferocious, unsparing in its honesty and relentless in search of the truth. The prose is adamant, impossible to ignore. That such a story can be told is a testament to the wisdom and courage of the author, her brilliant prose seductive, yet terrifying, awakening the monsters that root so easily in the soil of abject poverty. But the spirit of survival is not easily extinguished, the innocent, battered souls released to the light. Luan Gaines/2005.
12 of 12 people found the following review helpful. Hidden Treasure By A Customer I won't easily forget this book, which is a story about people and remembering people. The most gorgeous aspect of the writing is how a moment or a feeling becomes perfectly captured in brief, humble lines of prose. Azzopardi does not use long discursive explanations which are so often relied upon by authors. Each character becomes flesh and blood through short paragraphs and careful breaths. The sensitivty of the telling draws you in just as much as the tragedy of the story. I am grateful for writers who seek our imagination via the heart. Azzopardi appears to be one of them.
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