The Space Between Us, by Thrity Umrigar
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The Space Between Us, by Thrity Umrigar
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“This is a story intimately and compassionately toldagainst the sensuous background of everyday life in Bombay.” —Washington Post Book World “Bracingly honest.” —New York Times Book Review The author of Bombay Time,If Today Be Sweet, and The Weight of Heaven, Thrity Umrigar is at adept andcompelling in The Space Between Us—vividlycapturing the social struggles of modern India in a luminous, addictivelyreadable novel of honor, tradition, class, gender, and family. A portrayal oftwo woman discovering an emotional rapport as they struggle against theconfines of a rigid caste system, Umrigar’scaptivating second novel echoes the timeless intensity of ZoraNeale Hurston’s Their Eyes Were WatchingGod, Betty Smith’s A Tree Grows inBrooklyn, and Barbara Kingsolver’s ThePoisonwood Bible—a quintessential triumph of modern literary fiction.
The Space Between Us, by Thrity Umrigar- Amazon Sales Rank: #29487 in eBooks
- Published on: 2009-10-13
- Released on: 2009-10-13
- Format: Kindle eBook
Amazon.com Review The Space Between Us, Thrity Umrigar's poignant novel about a wealthy woman and her downtrodden servant, offers a revealing look at class and gender roles in modern day Bombay. Alternatively told through the eyes of Sera, a Parsi widow whose pregnant daughter and son-in-law share her elegant home, and Bhima, the elderly housekeeper who must support her orphaned granddaughter, Umrigar does an admirable job of creating two sympathetic characters whose bond goes far deeper than that of employer and employee.
When we first meet Bhima, she is sharing a thin mattress with Maya, the granddaughter upon whom high hopes and dreams were placed, only to be shattered by an unexpected pregnancy and its disastrous consequences. As time goes on, we learn that Sera and her family have used their power and money time and time again to influence the lives of Bhima and Maya, from caring for Bhima's estranged husband after a workplace accident, to providing the funds for Maya's college education. We also learn that Sera's seemingly privileged life is not as it appears; after enduring years of cruelty under her mother-in-law's roof, she faced physical and emotional abuse at the hands of her husband, pain that only Bhima could see and alleviate. Yet through the triumphs and tragedies, Sera and Bhima always shared a bond that transcended class and race; a bond shared by two women whose fate always seemed to rest in the hands of others, just outside their control.
Told in a series of flashbacks and present day encounters, The Space Between Us gains strength from both plot and prose. A beautiful tale of tragedy and hope, Umrigar's second novel is sure to linger in readers' minds. --Gisele Toueg
From Publishers Weekly Umrigar's schematic novel (after Bombay Time) illustrates the intimacy, and the irreconcilable class divide, between two women in contemporary Bombay. Bhima, a 65-year-old slum dweller, has worked for Sera Dubash, a younger upper-middle-class Parsi woman, for years: cooking, cleaning and tending Sera after the beatings she endures from her abusive husband, Feroz. Sera, in turn, nurses Bhima back to health from typhoid fever and sends her granddaughter Maya to college. Sera recognizes their affinity: "They were alike in many ways, Bhima and she. Despite the different trajectories of their lives—circumstances... dictated by the accidents of their births—they had both known the pain of watching the bloom fade from their marriages." But Sera's affection for her servant wars with ingrained prejudice against lower castes. The younger generation—Maya; Sera's daughter, Dinaz, and son-in-law, Viraf—are also caged by the same strictures despite efforts to throw them off. In a final plot twist, class allegiance combined with gender inequality challenges personal connection, and Bhima may pay a bitter price for her loyalty to her employers. At times, Umrigar's writing achieves clarity, but a narrative that unfolds in retrospect saps the book's momentum. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist *Starred Review* Sera Dubash is an upper-middle-class Parsi housewife in modern-day Bombay. Bhima is her domestic servant. Though they inhabit dramatically different worlds, the two women have much in common. Both married men they alternately love and loathe: Sera's moody husband frequently beats her, and Bhima's betrothed falls into an alcohol-drenched depression after losing his job. Sera's civil treatment of her servant--she overlooks Bhima's frequent tardiness and treats her like an equal--dismays her neighbors and friends. She also offers to fund the college education of Bhima's granddaughter, Maya, whom Bhima adopted when the girl's mother died of AIDS. The bond between the two women deepens when Sera (whose own daughter is happily wed and expecting her first child) arranges an abortion for unmarried Maya. Veteran journalist and Case Western Reserve professor Umrigar (Bombay Time, 2001) renders a collection of compelling and complex characters, from kind, conflicted Sera to fiercely devoted Bhima (the latter is based on the novelist's own childhood housekeeper). Sadness suffuses this eloquent tale, whose heart-stopping plot twists reveal the ferocity of fate. As Bhima sits at her dying daughter's side, a fellow hospital visitor speaks the simple, brutal truth: "Here, we have all hit the jackpot for grief." Allison BlockCopyright © American Library Association. All rights reserved
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214 of 227 people found the following review helpful. "It was all a waste, just an endless cycle of birth and death; of love and loss" By A Customer Using turbulent India, with all its social, environmental and economic problems as a background, author Thrity Umrigar tells a very humanistic tale of love, loss and ultimately betrayal. Two very different women who, in their struggle to cope with their heartache and sorrow, discover an inevitable commonality, a spiritual unity, even though they are divided by the seemingly insurmountable gulf of money, opportunity and class.Sera Dubash is a wealthy educated Parsi, who lives a privileged upper-class life in Bombay. Her married life fraught with violence and brutality, she ached for a marriage that was different from all the "dead sea of marriages she saw all around her," a marriage begun with such high hopes that fizzled out. Now she is widowed and lives happily with her daughter and son-in-law, looking forward to the birth of her first grandchild.Bhima is poor and illiterate, forced to eek out an existence on the edges of Bombay, enduring the stench and fifth, the open drains with their dank pungent smell, the dark rows of slanting hutments, the gaunt and open-mouthed men. Bhima has worked for years as Sera's domestic housekeeper, and has built up a trustworthy relationship with her employer's family; Sera's the only person who treats her like a human being, has been steadfast and true to her, and never despised her for being ignorant, or illiterate or weak. Sera even promises to financially help Bhima's granddaughter Maya go to college. But no one - least of all Bhima - expects the seventeen-year-old Maya to get pregnant.Bhima is convinced that only education is the key to success, an escape from the back breaking and menial labor that has marred the lives of her mother and her mother before her, and aware that a child will end Maya's chance at a better life, she tells her granddaughter she must have an abortion. Bhima seeks Sera's help; both convinced that terminating the baby is only way to ensure Maya will be able to break the hold poverty has had on the family.Bhima, however, has had her own demons to contend with. Her daughter and son-in-law are dead, stricken by an incurable disease; the elderly woman talking herself into believing that this unborn child is but a "demon growing in her granddaughter's belly." Her emotions run the gamut of anger and fear, fear for this stupid innocent pregnant girl; yet she holds onto the unacknowledged hope that the child's father will perhaps step forward to assume his responsibility, to marry and build a life with the woman who would bear his first child.Through their shared experiences, Sera and Bhima are inevitably bound; and it's almost as though Bhima has an eyeglass to Sera's soul, feeling exposed under the x-ray vision of Bhima's eyes. But they are divided by a hypocritical society that perpetuates discriminative caste differences, and looks down upon the poor: Sera is kindhearted and concerned for Maya's welfare, but during lunch, Sera always sits at the table, whilst making Bhima squat on her haunches on the floor nearby, forced to use separate utensils. Sera is secretly disgusted at the foul odor of the tobacco that Bhima chews all day long, the woman almost embodying everything that is repulsive about the slums just a short distance away.Umrigar writes of a jolting, momentary world that is full of illusion and false hope, where Sera and Bhima - both disappointed by the men they loved - are obliged to make the best of any given situation they land themselves in. Sera often resorts to tears and frustration, determined to shut out the realities of the evil that lurks within her family, whilst Bhima is left to pick up the pieces, to soldier on, cloaked in anger and misery. Each wound penetrating deeper and deeper, as she feels the old familiar yearning of what she has left behind.The author excels in vividly bringing to life the sights, sounds and smells of Bombay, the street urchins, the stray dogs, the impoverished nut vendors, and the hollow-eyed slum dwellers, a city mad with greed and hunger, power and impotence wealth and poverty, where the weak and vulnerable are elbowed out of the way, and where the poor treat the middle class like royalty, when they should actually hate their guts.Gorgeously imagined, this intimate and sensuous tale is constantly fraught with tension, the human condition this author's specialty. It is impossible to imagine more frightening circumstances than those conditions that Bhima must endure at her age, her heart broken by the people around her with their deceit, their treachery, their fallibility, and their sheer humanity. Through the course of the story, Bhima learns that none of the old rules, the old taboos apply, hers is a fragile existence, a world constructed of sand - shaky ambiguous, and ultimately impermanent. Mike Leonard February 06.
82 of 91 people found the following review helpful. At Times, The Writing Is Utterly Beautiful, BUT.... By Marilyn Raisen I was immediately drawn into this book which, at first, seemed so promising. Found Bhima's plight to be very compelling. Sera's situation was awful also, but I was still interested in their stories. I think that, for me, the story fell apart when the truth of Maya's predicament unfolded. I don't really know why, but I simply stopped caring.... This was Bhima's & Sera's story and should have remained as such. Again, the writing -- especially describing Bhima's entire story [the hut, the hospital scenes, etc.] -- was, for me, very real & beautifully rendered. However, the ending was unconvincing, in my humble opinion. Extremely disappointed given such a beguiling & goregous beginning!! [I probably would have rated this book a 2 Star read if not for the writing, as well as for Bhima's story [initially a 4 star which unravelled into soap opera].
32 of 33 people found the following review helpful. Captivating and Moving By David Dunaway Yet another wonderful and moving novel by Thrity Umrigar. The story vividly unfolds on each page, and I found myself unable to put the book down. It tells the story of Bhima and Sera, two people who's lives are very much different, but in many ways the same. Yes, there is much sadness in this book. However, that sadness is there for a reason and is meant to be thought-provoking. It forces you evaluate your life and your relationships. It also helps you to better understand not only the person you are, but the kind of person you want to be. The character of Bhima moved me the most, and will live on in my heart.
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