Kamis, 06 November 2014

Tony Takezaki's Neon Evangelion, by Tony Takezaki

Tony Takezaki's Neon Evangelion, by Tony Takezaki

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Tony Takezaki's Neon Evangelion, by Tony Takezaki

Tony Takezaki's Neon Evangelion, by Tony Takezaki



Tony Takezaki's Neon Evangelion, by Tony Takezaki

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You saw his work in Neon Genesis Evangelion: Comic Tribute...depicting the truth about Rei with great sensitivity...wait, that's not the right word. What's the opposite of "great sensitivity"? Well, whatever it is, Tony Takezaki's got it, in this collection of all-new stories satirizing both the Evangelion you saw on TV, as well as some scenes that apparently never got aired! SEE! Eva as a 1960s TV show! SEE! Kaworu and Shinji's standup comedy career! SEE! Ritsuko's days as Gendo's student intern! SEE! Eva Units, flinging dookie! You'll see all that and more, because this is Tony Takezaki's Neon Genesis Evangelion!

Tony Takezaki's Neon Evangelion, by Tony Takezaki

  • Amazon Sales Rank: #1022081 in Books
  • Brand: Takezaki, Tony
  • Published on: 2015-06-09
  • Released on: 2015-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.25" h x .57" w x 5.14" l, .0 pounds
  • Binding: Paperback
  • 176 pages
Tony Takezaki's Neon Evangelion, by Tony Takezaki

About the Author Tony Takezaki was born on July 15, 1963 in Osaka, Japan. A graduate of an Osaka design school, Takezaki is a versatile mangaka artist. His major artistic influences include Ootomo and Umezu Kazuo. Takezaki used to draw doujinshi based on Sonoda's work, and got his big break when he was commissioned to do the A.D. Police manga. Takezaki also contributed to volume 2 of the Ariel manga anthologies. He currently lives in Tokyo, Japan. The author lives in Tokyo, Japan.


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8 of 8 people found the following review helpful. Lols for the fans. By Christian W. I happened upon this at a Barnes and noble, and I do not regret getting this. The art work compared to his other book is stellar, and mimics the original art of Yoshiyuki Sadamoto very well. For those looking for a concurrent story with this will be disappointed, but those in for short several page Evangelion jokes, you will be laughing all the way through. I can't remember not laughing when reading this, and would reccomend it to any Eva fan.

4 of 4 people found the following review helpful. It's alright! By Spyder A fun collection of jokes off the series. drawn well if not better than the official manga work. Check it out if you're a fan of the series, others stay away.

0 of 0 people found the following review helpful. Five Stars By Carlos Excellent and funny xD

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Tony Takezaki's Neon Evangelion, by Tony Takezaki
Tony Takezaki's Neon Evangelion, by Tony Takezaki

Blood Rites (Executioner), by Don Pendleton

Blood Rites (Executioner), by Don Pendleton

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Blood Rites (Executioner), by Don Pendleton

Blood Rites (Executioner), by Don Pendleton



Blood Rites (Executioner), by Don Pendleton

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BAD BLOOD 

A gun battle between rival gangs terrorizes shoppers at a Miami mall, but Mack Bolan knows that cleaning up the mess in Florida is just the beginning. One gang's main operation leads back to Jamaica, where its drug trafficking business is flourishing. And so is the practice of voodoo and human sacrifice. 

Infiltrating the gang on its own territory is a deadly challenge. With most of the island on the cartel's payroll or too afraid to come forward, Bolan's only ally is a Kingston police officer. But no matter the odds, the Executioner will do whatever it takes to bring down the drug lord and his army of killers. 

Blood Rites (Executioner), by Don Pendleton

  • Amazon Sales Rank: #485901 in eBooks
  • Published on: 2015-06-01
  • Released on: 2015-06-01
  • Format: Kindle eBook
Blood Rites (Executioner), by Don Pendleton

About the Author Phil Elmore is a freelance journalist, author, and technical writer who lives and works in Western New York State. He has contributed extensively to various trade magazines in the "tactical" gear and self-defense fields. He is also the senior editor of an IP development company based in Florida and the author of multiple commercially published scifi and action novels.

Excerpt. © Reprinted by permission. All rights reserved. Norland, Miami Gardens, FloridaMack Bolan hit the ground running in Miami. He had driven down from Stony Man Farm, in Virginia, breaking up the journey with an overnight stop in Savannah, Georgia. The drive let him carry the gear he'd picked out for this mission without any hassles from airport security, and if something happened to the car—a confiscated narco-smuggler's Mercury Marauder, whose records had been lost somewhere between its forfeiture and its delivery to Stony Man—there would be no comebacks on Bolan or the Farm.The warring parties were a tough Jamaican outfit called the Viper Posse, and a Haitian gang whose leaders hadn't bothered thinking up a catchy name. Both dealt in drugs, illegal weapons, human trafficking and sundry lesser rackets. They'd been stepping on each other's toes around Miami for the past two years, the body count increasing, but this last flamboyant battle at the crowded Dolphin Mall caused a ripple out of Washington, propelling Bolan to the Sunshine State.Nine dead and thirteen wounded in the latest firefight, which was probably a record, even for South Florida. The body count included three known Viper Posse members, two illegal Haitian immigrants, two Miami-Dade police officers, and two shoppers caught in the crossfire. The wounded were bystanders, more cops and a couple of mall security officers. Local law and the feds were all over it, turning Miami's Haitian and Jamaican enclaves upside-down, but cries of racial profiling had touched off protests in the streets, and when you got down to it, no police force in the States could chase the Viper Posse's leaders once they split for home.That was where Bolan came in.He didn't need warrants, indictments, subpoenas, or writs of extradition. He wasn't logging evidence for use in court, and didn't have to read a perp his rights before he brought the hammer down. He'd been hunting human predators of one kind or another from his youth until his staged death in Manhattan some years back, with nothing changed except his face and name.His war was still the same. The opposition's ranks were inexhaustible.Most of the residents of Kendall, southwest of Coral Gables, were law-abiding people. However, those who stood outside the law had earned a reputation for ferocious violence.While most posse members were nominal Rastafari-ans, purportedly worshiping late Ethiopian emperor Haile Selassie I as a god and smoking ganja as a sacrament, the island-spawned gang also swam in a current of Obeah, a West Indian belief system with African roots, akin to Voodoo or Santeria. The practice of Obeah involved blood sacrifice. Animals were ostensibly preferred, but some practitioners were rumored to spill human blood for important rituals, or when they sent a special message to their enemies.Murder was all the same to Bolan, whether carried out with automatic weapons or machetes, and he normally repaid the predators in kind. He had no fear of "magick," black or white, but recognized that many people felt its draw and thereby left themselves open to victimization.When superstition crossed the line into mayhem and became a tool for terrorists, the Executioner was ready to step in and shut the circus down. Beginning now.Garcelle Brouard knew she was staring in the face of death as Winston Channer stood before her, showing a ghastly smile. A fall of dusty-looking dreadlocks framed his oval face, eyebrows replaced by rows of small, deliberately inflicted scars, more of them on his cheeks in tight spiral designs. His teeth were either capped or filed to points, so that his smile displayed a double row of fangs."You're as good as dead," he told her.Garcelle kept her face impassive and replied, "So, get it over with.""Not so fast, child. I've got a message for your family.""You think that will change the way they deal with you?" She laughed, enjoying the expression on his feral face. "You'll only make things worse.""Be worse for you, no doubt. Think Daddy will like it if I send ya back in pieces?" Channer narrowed his eyes and asked, "Why are you smiling?"She kept the mocking smile in place while answering his question. "I'm imagining the things he'll do to you. How long he'll keep you tied up on his table, screaming.""You like the screams, eh? When I start on you, scream plenty for me, will ya? No one's coming to help you."That was true, she realized. The Viper Posse occupied this whole apartment complex. She sat in unit 227, bound to a straight-backed wooden chair with plastic zip ties. She could scream until her lungs bled, and the other yard-ies wouldn't interfere with Channer's fun. Nor would the neighbors, who'd been terrorized into submission when the Viper Posse routed tenants from the Palm Glades complex and converted it into their headquarters.Police? Forget about them. They patrolled Kendall's white neighborhoods routinely, but required an urgent call to trespass on Jamaican turf around Three Lakes. The last time they'd visited Palm Glades, it sparked a confrontation that sent nine yardies to jail, and seven coppers to the hospital. The gang was not evicted, though, because it kept a battery of topend lawyers on retainer and possessed a bill of sale for the suburban property.No. She was on her own, and that was bad.Fatally bad.She couldn't bargain with the Viper Posse's local hon-cho, couldn't bribe her way out of the trap. Channer was bent on capturing her father's territory, taking everything he had, and would not settle for a consolation prize.She was a pawn to him—or worse, a living sacrifice."I don't want to cut your head off first," Channer said. "That spoils my game and tells your daddy he's got nothing left to hope for. Mebbe I should start down on the other end, eh?"Garcelle tried to imagine what it would feel like, having her feet cut off. Would she bleed out? Not likely, if her captors wanted her alive and suffering. A propane torch would cauterize the wounds, but searing would not stop infection. Not that it would help. Channer would no doubt dismember her completely, long before gangrene could end her misery.Tell them no more than you have to, she thought grimly. Everybody breaks, but hold on as long as you can. Make the bastards work for it."Ten toes it is," Channer declared, and moved off toward the doorway. He opened it and called to someone on the Other Side, "Gimme the little saw, brother. And one of those blue tarps."Bolan had gone all out, picking his tools for the Miami mission. Riding with him on the southbound highway was a Steyr AUG assault rifle, a Benelli M4 Super 90 semiautomatic shotgun, a Desert Eagle .44 Magnum pistol, and his favorite Beretta 93R selective-fire side-arm. For long-range work, he'd picked a Barrett M98B sniper rifle. The Barrett is a bolt-action weapon, feeding .338 Lapua Magnum rounds from a ten-round detachable box magazine. Top off that ensemble with spare magazines all around, plus two dozen M68 fragmentation grenades, and the Executioner was ready to rumble.His first target was a so-called social club, the Kingston House, located on Southwest 80th Street near Snapper Creek Park. Intel from Stony Man identified it as a hangout for the Viper Posse's goons and part-time headquarters for Winston Channer, honcho of the posse in South Florida. Bolan could not predict if Channer would be in when he came calling, but he pegged the odds at fifty-fifty. Either way, demolishing the joint and taking out the posse soldiers he found on-site would send a message to the man in charge, and ultimately back home to Jamaica.Bolan parked his Mercury a half block north of Kingston House, secured it and set the ear-splitting alarm. If all went well, he wouldn't be gone long, and he'd return to find his rolling arsenal where he had left it. Otherwise, he'd have to improvise.Leaving his ride, he took the Steyr AUG with an AAC M4-2000 suppressor attached, both handguns and a couple of grenades. It was supposed to be a hit-and-git, not a protracted battle, but he prepped for any snags he could imagine, and a few that didn't come to mind immediately. Bolan's protracted war had taught him that preparedness counted for more than luck.The place looked dead as he approached it. Never meant to draw outsiders, the exterior was relatively drab: two stories, with beige stucco on the outside, a flat roof, no neon flashing in the night. Unless you were a Viper Posse member or associate, you had no reason to stop at Kingston House, and any trespassers would be discouraged in a most emphatic way.He scouted the approach and found no guards watching the street. Given the state of modern CCTV cameras, lookouts might well be watching him from inside, but Bolan wasn't bothered by that possibility. He was expecting opposition.Counting on it.He walked behind the club, bringing the Steyr out from underneath his lightweight raincoat. It had drizzled off and on all day, reason enough to wear the coat that hid his hardware, but the time had come to let it rip.Bolan tried the back door, found it locked and fired a muffled 3-round burst into its dead bolt, shattering the lock. He followed through without a second's hesitation and found himself inside a corridor that passed a kitchen on the left and restrooms on the right. Apparently no one was using either of the two facilities just now. Ahead of him, Bolan heard voices coming from some kind of rec room, half a dozen by the sound of it, engaged in a friendly argument. Above his head, the sound of footsteps told him there were other posse members on the second floor. There was a heady scent of ganja in the air."That girl's hot," one of the possemen was saying, "know what I mean?""You're speaking true," another said."I wouldn't lie to ya," the first voice said.Bolan crashed the party, counting seven heads around a pool table. He was quiet till one of them spotted him and squawked a warning to the others. Then he began to take them down with nearly silent 5.56 mm NATO rounds. They scrambled, seeking cover, groping for their weapons.First to draw his pistol was a porky soldier with a rainbow-colored Rasta cap atop his head. Before he had a chance to aim, Bolan's next burst sheared off the left side of his face, but the soldier still managed one wild shot as he was falling, wasted on the ceiling. A shout up there told Bolan that the club's other inhabitants were on alert and pounding toward the stairs."What's that?" Winston Channer demanded, standing over his captive with a hacksaw in his hand."Sounds like your boys are shooting each other," Garcelle Brouard told him, smiling.Channer swung his free hand, striking her across the right cheek. Spitting blood, Garcelle supposed she was fortunate he hadn't used the saw."Big man," she sneered, with crimson lips. "Untie me, and we'll see how tough you are.""I'm gonna fix this, then come back and fix you, hear me?""Big talk," she spat at him, expecting to be struck again, but Channer turned away, setting the hacksaw on a nearby table as he left the room. A moment later, he was back again, drawing a switchblade from his pocket, snapping it open as he moved behind her chair."Looks like your daddy sent his man to fetch you home. I've got a big surprise for him. He's as good as dead."She felt the blade pass through the plastic ties that held her arms behind the chair. Then the knife was at her throat, the point drawing a bead of blood below her jaw-line on the right. Channer's free hand gripped her hair as she slowly rose to stand beside him, measuring her chances of escape.Not good."You think I'm gonna let you go? Not gonna happen, trust me. I want your daddy's man to see your head come off."Hearing that, she almost turned to grapple with him, then decided she might have a better chance once they were on the staircase leading to the ground floor. He would be off balance then, distracted by the chaos going on below, and if she timed her move exactly right— Big if, she thought.One slip, and he would punch the blade up through her soft palate, into her brain, or simply slash her throat. There'd be no time to cut her head off with the relatively small knife, but Channer didn't need to. He could kill her with a short flick of his wrist, and have the same effect on her father.Not that it would save Channer.Garcelle hoped she'd live long enough to see her father's men blast Channer into hamburger and leave him leaking on the stairs. It would be worth it, to die knowing she had outlived the worthless Rasta piece of crap.He shoved her through the office door, onto the landing and toward the staircase. More shots echoed from below, but they were dying out now. Which side would emerge victorious? She guessed it didn't matter, but she hoped to see Channer's thugs laid out, dead or dying, when they reached the stairs.Not justice, necessarily, but vengeance.Other Viper Posse soldiers had collected on the second-story landing, staying well behind their captain and his human shield. They seemed content to let Channer press forward, face the danger on his own and possibly distract the enemy before they joined the fight.Cowards. Given the chance, she would have spit on them. But there would be no chance. Garcelle knew she was almost out of time, about to die at twenty-six years old.They reached the stairs and Channer shouted, "Hold on down there! I wanna show you somethin'.""Come down, then," somebody answered. Not a voice she recognized.A white man stepped into view, surprising Garcelle. She didn't recognize him, knew she would have remembered that grimly handsome face if they had ever met. Who was he, then? And why was he here, killing Chan-ner's men?"Who are you?" Channer demanded, tightening his grip on Garcelle's hair, pressing his blade's tip deeper into yielding flesh until she nearly sobbed."Is that your last question?" the white man asked."How about I cut this gal's head off. How'd that be?""You could do that," the gunman said. "But what comes next, without your shield?""I'm not joking," Channer snarled. "Ya think I'm scared? I'm going to—"Before he could complete the thought, the white man raised his weapon, aimed, and fired a shot that seemed to be directed at Garcelle.The bullet found its mark, ripping through Channer's left arm, which was raised to let him clutch the woman's hair. Its impact drove him backward and broke his contact with the hostage, who immediately lurched away from him and tumbled headlong down the stairs. A fall like that could kill you, but she landed at the bottom more or less intact and started struggling to her feet."Come on!" he snapped at her, still covering the balcony above. Channer had fallen back, beyond Bolan's line of sight, but others were crowding after him, their faces peeping cautiously downstairs.


Blood Rites (Executioner), by Don Pendleton

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2 of 2 people found the following review helpful. Another ghost writer blows it. By RedRocker2112 Again, we have a ghost writer who apparently knows next to nothing about the feature character. Bolan "never" kills non-combatants indiscriminately. Ruined the story for me. Too bad, the story line wasn't without merit.

0 of 0 people found the following review helpful. Good old Bolan By JW Jamaican and Haitian drug gangs. Lots of old line Bolan blowing away the bad guys. Lost a good guy at the end, but not by Bolan's hand. Plenty of various weapons and neighborhoods that tourists should avoid. Limited philosophical discussion as he just eliminates the drug peddlers. Nice move with the Colombian jet plane

0 of 0 people found the following review helpful. need to end this series. By HARALD G. HALL this series is getting predictable after 400 plus books. how they keep cranking them out month after month, you think they would run out of material to write about.

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Blood Rites (Executioner), by Don Pendleton

Rabu, 05 November 2014

The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

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The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies



The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

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Excerpt from The Story of My Heart: My AutobiographyThe title of this book is 'The Story of my Heart: my Autobiography,' but it is not an autobiography in the ordinary sense of the word. It contains no history of the events of Richard Jefferies' life. It is in no way concerned with his birth or his marriage, his actions or his fortunes. All that is known of these has been told in 'The Eulogy of Richard Jefferies,' by Walter Besant.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

  • Amazon Sales Rank: #7613790 in Books
  • Published on: 2015-06-04
  • Released on: 2015-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .57" w x 5.98" l, .81 pounds
  • Binding: Paperback
  • 270 pages
The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

About the Author Jeremy Hooker is well known as a poet and critic who has made a special contribution to the 'poetry of place'. He is the author of ten collections of poetry, and his critical writings include Writers in a Landscape (University of Wales Press, 1996). He is Professor of English Literature at the University of Glamorgan. A lifelong reader of Jefferies, he is President of the Richard Jefferies Society.


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8 of 8 people found the following review helpful. One of the Best By Eric D. Lehman I had read Jefferies' nature writing and loved it. But this is one of the best books about an inner life ever written. He makes some leaps that no one else has, and I've read a lot.

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The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies
The Story of My Heart: My Autobiography (Classic Reprint), by Richard Jefferies

Senin, 03 November 2014

London Tsunami & Other Stories, by Jaq Hazell

London Tsunami & Other Stories, by Jaq Hazell

Postures currently this London Tsunami & Other Stories, By Jaq Hazell as one of your book collection! However, it is not in your bookcase collections. Why? This is the book London Tsunami & Other Stories, By Jaq Hazell that is supplied in soft documents. You can download the soft data of this stunning book London Tsunami & Other Stories, By Jaq Hazell now and in the link supplied. Yeah, different with the other people that look for book London Tsunami & Other Stories, By Jaq Hazell outside, you could get much easier to pose this book. When some individuals still stroll into the shop and look the book London Tsunami & Other Stories, By Jaq Hazell, you are here just remain on your seat and obtain the book London Tsunami & Other Stories, By Jaq Hazell.

London Tsunami & Other Stories, by Jaq Hazell

London Tsunami & Other Stories, by Jaq Hazell



London Tsunami & Other Stories, by Jaq Hazell

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A random shooting, the death of Michael Jackson, and the tsunami that is ill health all feature alongside: urban runners, adulterers, lovers, haters, life, death and something in between in this collection of 21 contemporary London stories. 'It's wonderful, very very funny and utterly original. This writer has surprises for you' Colin Tucker

London Tsunami & Other Stories, by Jaq Hazell

  • Amazon Sales Rank: #8629617 in Books
  • Published on: 2015-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .36" w x 5.25" l, .38 pounds
  • Binding: Paperback
  • 144 pages
London Tsunami & Other Stories, by Jaq Hazell

About the Author Born and brought up in Hampshire, on the south coast of England, as a kid Jaq Hazell wanted to be an artist. She was always drawing and did eventually go to art college to study textile design, but in her final year writing took precedence. After graduating she moved to London and worked at Buckingham Palace where there wasn't much to do so, in between typing up royal itineraries, she wrote stories. Other jobs followed. She had a collection of humorous greetings cards published, and worked as a journalist and magazine editor, while in her spare time she wrote fiction. An MA in creative writing from Royal Holloway, University of London, shortlisted for The Virginia Prize for Fiction and the Jane Austen Short Story Award, and published in various anthologies - alongside family life, house moves and dog walks - always the one constant is writing.


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1 of 1 people found the following review helpful. Wonderful, dark collection By Victor A. Davis Looks like I have the honor of writing the first review. This is an excellent collection by an excellent writer and I look forward to reading more of her stuff. I've been focusing a lot more on indies lately, with mixed results. I've found in London Tsunami exactly what I've been looking for, though: extremely talented contemporary short story authors, the modern, living, active writers with the very real potential of joining the greats.The best story in the collection was the first, Legend. I read it just before bed, and it absolutely stunned me. It reminded me of Antaeus and a handful of "classic" short stories in the vein of Ray Bradbury or Literary Cavalcade. Children decide to do something adventurous, daring, or naughty, get carried away, and a looming sense of foreboding swoops down ominously to confront them. There's something about that classic Daedalus & Icarus symbology that's extremely unnerving and fascinating, and I believe the short story is its natural home.I also enjoyed Under the Flight Path, Stuff, and London Tsunami. The running theme in the book, if there is any, is a quiet sense of despair or bitterness, the feeling of treading water at the end of your strength, watching the world around you begin to come apart at the seams. While there are lots of stories in this collection, many of them too short, I appreciate the author's artistic voice, and her ability to see the dramatic emotional turmoil of ordinary everyday life.* I received a free copy from the author in exchange for an honest review. *

0 of 0 people found the following review helpful. Subtle, genuine, accessible and moving. By KathLDK Literogo Londoners will recognise and love this ode to human experience, while others get a glimpse behind the scenes, beyond the marketed double-decker Big Ben dream, to the diverse perspectives, priorities and perceptions it expresses. Jaq Hazell expertly captures a range of differing voices in this collection of twenty-one short stories.From parkour to euthanasia; from sexual predators to finding a dead body in your yard; from accidental heroism to hereditary predilections towards infidelity; the range of subjects covered in these stories is vast, while each story on its own is a subtle snapshot of quotidian life. They combine to create a chorus of distinctly different voices, echoing the bustling murmur of London’s public spaces. Dipping into this book while in transit, I often catch myself wondering what my companions’ stories are; Hazell has explored this with deft skill in this collection.The first story, about a pair of youths free-running over the rooftops of London, was a bright splash of excitement and adrenaline. While some of the other stories were not quite as exciting, I felt that each one was a nuanced and subtle facet of a whole. The stories can stand on their own. However, they are much more effective together, as they take the reader through a wide range of emotions, enabling us to see inside the lives of people whose life experiences differ wildly from our own, or perhaps mirror our own, and with whom it is easy to sympathise.Hazell’s style is straight-forward and down to earth; she evokes the textures, smells, sounds and colors of London without overly-florid linguistic arabesques. Instead, she speaks with the voice of ordinary people. I found it very accessible, and by adopting the inner voice of each character, the writing took on a great diversity in styles, such as the distracted, abbreviated, dialogue-focused perceptions of teenage girls, the haughty self-promoting tones of a climbing socialite, the subdued self-doubt of a neglected wife, or the disjointed and jumbled stream of consciousness of an elderly woman. It was, for me, the most effective part of the book; not what was happening, but how each voice responded to it.Hazell sets out to capture the voice of a city, and she succeeds marvelously. Her characters are human, realistic and identifiable. The events they deal with, their day-to-day problems, and the great crises of their lives are everyday occurrences, and so they are more relatable than something a little more fantastic. The stories are carefully crafted, often with most of the action or drama happening outside of the brief window we get into the protagonists’ lives, but with an intense (and yet subtly crafted) build-up in the stories themselves. Some of the stories deeply upset me; I take the ability to move me to that extent as a sign of excellent writing.At first I was not sure what I thought of this book. It reminded me a little of Ivan Vladislavic’s The Exploded View. It is so understated that at times it almost verges on dull; however, after a few hours of letting the stories mentally marinate, I realised what a profound emotional effect they had had, and how cleverly Hazell had captured the voices of such a wide range of people. Some of the best writing is that in which the artistry is almost invisible; Hazell has stripped away the artifice and pretentiousness of literary fiction, instead producing something pure, genuine, accessible and extemely moving.Read excerpts and more reviews on Literogo.com. I received this book in exchange for a fair review.

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Selasa, 28 Oktober 2014

Tokyo Ghoul, Vol. 1, by Sui Ishida

Tokyo Ghoul, Vol. 1, by Sui Ishida

Based upon some experiences of lots of people, it remains in fact that reading this Tokyo Ghoul, Vol. 1, By Sui Ishida could help them making better choice as well as offer more experience. If you wish to be among them, allow's purchase this publication Tokyo Ghoul, Vol. 1, By Sui Ishida by downloading the book on link download in this website. You can get the soft documents of this book Tokyo Ghoul, Vol. 1, By Sui Ishida to download and also put aside in your offered digital gadgets. Just what are you awaiting? Let get this publication Tokyo Ghoul, Vol. 1, By Sui Ishida online and read them in whenever and also any kind of location you will certainly review. It will not encumber you to bring heavy publication Tokyo Ghoul, Vol. 1, By Sui Ishida inside of your bag.

Tokyo Ghoul, Vol. 1, by Sui Ishida

Tokyo Ghoul, Vol. 1, by Sui Ishida



Tokyo Ghoul, Vol. 1, by Sui Ishida

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Ghouls live among us, the same as normal people in every way—except their craving for human flesh. Ken Kaneki is an ordinary college student until a violent encounter turns him into the first half-human half-ghoul hybrid. Trapped between two worlds, he must survive Ghoul turf wars, learn more about Ghoul society and master his new powers. Shy Ken Kaneki is thrilled to go on a date with the beautiful Rize. But it turns out that she’s only interested in his body—eating it, that is. When a morally questionable rescue transforms him into the first half-human half-Ghoul hybrid, Ken is drawn into the dark and violent world of Ghouls, which exists alongside our own.

Tokyo Ghoul, Vol. 1, by Sui Ishida

  • Amazon Sales Rank: #4290 in Books
  • Brand: Ishida, Sui
  • Published on: 2015-06-16
  • Released on: 2015-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .70" w x 5.75" l, .55 pounds
  • Binding: Paperback
  • 224 pages
Tokyo Ghoul, Vol. 1, by Sui Ishida

About the Author Sui Ishida was born in Fukuoka, Japan. He is the author of Tokyo Ghoul and several Tokyo Ghoul one-shots, including one that won him second place in the Weekly Young Jump 113th Grand Prix award in 2010. Tokyo Ghoul began serialization in Weekly Young Jump in 2011 and was adapted into an anime series in 2014.


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56 of 58 people found the following review helpful. Awesome By Cara Ive already read the entire Tokyo Ghoul series and I'm current with Tokyo Ghoul:Re.. I'm just happy to be able to purchase it and support the artist finally. This series is incredibly awesome! Ishida is amazing and there is so much symbolism in all of the panels be it with flowers, numbers and subtle hints and foreshadowing. Definitely a favorite and I can't wait to buy them all. I really recommend reading the manga first over watching the anime.

23 of 24 people found the following review helpful. Great Horror Manga. By Riley Malott This is a great manga about a kid who struggles to find where he belongs in the human world and the ghoul world. Recommend if you love the horror genre. Have fun.

30 of 34 people found the following review helpful. Intriguing and Dark By Talvi Tokyo Ghoul is a nuanced horror series exploring human nature through the devolving mental state of anti hero school kid Ken Kaneki. The violence is graphic and the writing equally uncompromising as we watch Kaneki grapple with whether it is worth being alive if it means he must be a ghoul and eat human flesh. There is a lot of intelligence and pathos here but definitely in a dog-eat-dog fatalistic nihilism that can either intrigue or repel readers.Story: Shy Ken always operated on the periphery of society, preferring to stick to reading and his schoolwork. But when a sweet girl asks him on a date, he cannot believe his luck that she would be interested in him. Unfortunately, she lures him to a dark alley and then is killed while attacking him. Kaneki wakes up after the attack to be told her organs were used to save his life - the organs of the ghoul who tricked him and then nearly killed him! Now Kaneki is half ghoul and coming to understand what that means and how he is going to survive in the harsh world will become his new life.From the ghoul attack to the fractious ghoul society, being hunted by normal humans, and not being able to eat regular food any more, the story is all about Kaneki's change and straddling two worlds. For he is only half ghoul - and the human side of him rebels at the thought of eating humans while the ghoul side of him hungers desperately. It makes for a very dark and morbid tone since Kaneki is such a pathetic everyman with incredibly bad luck.Other ghouls maneuvering into rival positions on feeding grounds, special ghoul abilities, and even a ghoul 'safe house' add to the different aspects of the plot. But for the most part, this first volume is about Kaneki changing and then being confronted with the horror of his 'new normal'.It's an intriguing series but definitely not for the faint of heart. It is a very dark series with a thread of hopelessness running throughout. Reviewed from an advance reader copy provided by the publisher.

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Tokyo Ghoul, Vol. 1, by Sui Ishida
Tokyo Ghoul, Vol. 1, by Sui Ishida

Sabtu, 25 Oktober 2014

Surge: New Writing From Ireland, by O'Brien Press

Surge: New Writing From Ireland, by O'Brien Press

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Surge: New Writing From Ireland, by O'Brien Press

Surge: New Writing From Ireland, by O'Brien Press



Surge: New Writing From Ireland, by O'Brien Press

Best Ebook Surge: New Writing From Ireland, by O'Brien Press

Surge showcases sixteen previously unpublished short stories, featuring work from new Irish writing talents alongside offerings from acclaimed and award-winning playwrights and short story writers: Frank McGuinness, Mary Morrissy, il¡s N¡ Dhuibhne, Gina Moxley, Darran McCann, and Mike McCormack. This unique anthology contains the very best of the next generation of Irish authors.

Surge: New Writing From Ireland, by O'Brien Press

  • Amazon Sales Rank: #3775806 in Books
  • Published on: 2015-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.60" h x 1.20" w x 5.10" l, .84 pounds
  • Binding: Paperback
  • 256 pages
Surge: New Writing From Ireland, by O'Brien Press

About the Author Frank McGuinness is the author of several plays, including "Someone Who'll Watch Over Me", as well as many acclaimed translations and adaptations, including "Electra" and "A Doll's House". He teaches at University College, Dublin, and lives in Dublin.


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0 of 0 people found the following review helpful. Five Stars By Paul O'Hara I enjoyed reading this book.

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